"Meeting Place" was adapted for the screen by Vainer and his brother Georgy from their novel "Era of Mercy" (Era Miloserdiya). The series focused on the hunt for the ominous "Black Cat" gang in postwar Moscow. The key to its success, of course, was its charismatic star: the actor, singer and songwriter Vladimir Vysotsky. Supposedly, Vystosky pressed director Stanislav Govorukhin into shooting, prepared for his role with days of research and actually -- as reported by the crew -- directed much of the series.
Vysotsky's character, Gleb Zheglov, was a hardened police inspector. Zheglov firmly believes that the ends justifies the means. This leads him to clash with his junior partner, Vladimir Sharapov. Played by Vladimir Konkin in the series, Sharapov is a demobilized officer who insists on lawfulness and mercy. Although this conflict was central to the book, it seemed secondary in the series, perhaps because Konkin was no match for Vysotsky.
The Vainers excelled at recreating the atmosphere of the era, which was still fresh in the minds of many, leaving the authors little room for mistakes. The cityscapes, interiors, documents and manners of late-1940s Moscow were painstakingly reconstructed in both the book and the series, quite unlike the slipshod recreations of some recent "retro" mysteries. Arkady's background as a police detective and Georgy's background as a journalist certainly helped.
Several other Vainer books were also filmed. A few, however, were censored due to their touchy subject matter. One was about the mysterious death of Solomon Mikhoels, a prominent Soviet Jewish actor; another was about the "doctors' plot," Stalin's last bout of terror in the early 1950s, directed mostly at Jewish medical professionals.
After "Meeting Place," Vysotsky wanted to do a sequel and pestered the Vainers with demands for a new script. The actor's untimely death in 1980 stopped their work, but the idea recently resurfaced. The writers were thinking of killing Zheglov in the first episode and having the rest of the series focus on the hunt for his killer. There was more than enough unused material with Vysotsky for the first episode. Now, of course, this script is unlikely to be written, with the death of Arkady, the driving force of the writing duo.
A Message from The Moscow Times:
Dear readers,
We are facing unprecedented challenges. Russia's Prosecutor General's Office has designated The Moscow Times as an "undesirable" organization, criminalizing our work and putting our staff at risk of prosecution. This follows our earlier unjust labeling as a "foreign agent."
These actions are direct attempts to silence independent journalism in Russia. The authorities claim our work "discredits the decisions of the Russian leadership." We see things differently: we strive to provide accurate, unbiased reporting on Russia.
We, the journalists of The Moscow Times, refuse to be silenced. But to continue our work, we need your help.
Your support, no matter how small, makes a world of difference. If you can, please support us monthly starting from just $2. It's quick to set up, and every contribution makes a significant impact.
By supporting The Moscow Times, you're defending open, independent journalism in the face of repression. Thank you for standing with us.
Remind me later.
