While conducting interviews and doing research around Moscow, Heidi found time to check out a number of shows. I cornered her in a cafe with my trusty digital camera and coerced her into spilling the beans. So, what did she think? Her answers, taped in two video segments, can be watched below.
In the first, Heidi talks about how she ended up at Dmitry Krymov's production of "Auction" at the School of Dramatic Art almost by accident. At the time, the actress didn't even realize that her antenna for talent had led her to a show by one of the most interesting directors to emerge in town over the last decade. Heidi then launches into an impassioned description of Yury Butusov's production of Eugene Ionesco's "Macbett" at Konstantin Raikin's Satirikon Theater &mdash so impassioned, in fact, that she actually runs out of words to describe her impressions. I pushed "stop," Heidi took a breath, and we picked up where we left off in a second take.
Although the elaborate stagecraft of "Macbett" sometimes "got in the way of the narrative" for her, Heidi said this show was "a constant progression of surprises," and she declared one of the scenes of Grigory Siyatvinda playing Macbett "one of the most beautiful things I think I've seen."
Another show that caught Heidi's eye was Valery Fokin's dramatization of Nikolai Gogol's "The Overcoat" for the Sovremennik Theater. She was taken with the work of composer Alexander Bakshi and designer Ilya Epelbaum, who created the impressive shadow scenes. But her highest praise was saved for Marina Neyolova, the actress who plays the nondescript clerk Akaky Akakievich. "You could see her thinking, which is an amazing quality in an actor," Heidi said of Neyolova.
Click the images below to watch the videos.
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