Support The Moscow Times!

Salon

city Unknown
Russian travel literature boasts an impressive history. Ever since 15th-century merchant Afanasy Nikitin became one of the first Christians to write a detailed description of India, Russians have penned travelogues and marveled at the sights and mores of foreign lands.

But while yesterday's books were written by explorers, today's are written by tourists. A telling example is "The Dead Can Dance" (Mertviye Mogut Tantsevat), recently published by St. Petersburg's Amphora. The author is named only by his e-mail address, [email protected], and the book's cover invites readers to guess "which famous Russian writer wrote the book."

It's not clear why the publishers call the author a famous writer; this suggests that they're not being totally sincere about the anonymity thing. The book is subtitled "A Guidebook to the End of the World," and the general mood is indeed rather apocalyptic. The 30-year-old narrator describes his haphazard journeys across Europe, Asia, North Africa and the United States, as well as the former Soviet empire. These are interspersed with sex scenes, generalizations about life in Cairo or Istanbul and lots of simplified history, often inaccurate.

The publishers claim that the author works as a guide for Russian tourists in Alexandria. A friend of mine once had a similar job in Athens, and he says that after all his stories about Plato and Pericles, tourists always asked about two things: how long he had lived in Greece and whether he was married. That's exactly what Mr. Nobody01 tells his readers: fragments from his rather uneventful personal life, mixed with historical anecdotes.

This isn't enough to form a novel, though, so he throws in some views about global affairs. For example, he says Russia is decomposing, the world's oil is running out and we are living at the end of history. Some of his observations are ridiculous, others banal. What baffles me most, however, is his acute feeling of belonging to a lost generation -- which would be more or less my generation. He sincerely thinks his feeling is universal, but I can't relate at all, and most people I know wouldn't either.

Whoever he is (reviewers have winked at Ilya Stogoff, the "counterculture" guru), he has written a shallow but very readable work. The book claims that its author "saw all mentioned artifacts with his own eyes." Well, Russians have a wonderful saying: "He lies like an eyewitness."

Sign up for our free weekly newsletter

Our weekly newsletter contains a hand-picked selection of news, features, analysis and more from The Moscow Times. You will receive it in your mailbox every Friday. Never miss the latest news from Russia. Preview
Subscribers agree to the Privacy Policy

A Message from The Moscow Times:

Dear readers,

We are facing unprecedented challenges. Russia's Prosecutor General's Office has designated The Moscow Times as an "undesirable" organization, criminalizing our work and putting our staff at risk of prosecution. This follows our earlier unjust labeling as a "foreign agent."

These actions are direct attempts to silence independent journalism in Russia. The authorities claim our work "discredits the decisions of the Russian leadership." We see things differently: we strive to provide accurate, unbiased reporting on Russia.

We, the journalists of The Moscow Times, refuse to be silenced. But to continue our work, we need your help.

Your support, no matter how small, makes a world of difference. If you can, please support us monthly starting from just $2. It's quick to set up, and every contribution makes a significant impact.

By supporting The Moscow Times, you're defending open, independent journalism in the face of repression. Thank you for standing with us.

Once
Monthly
Annual
Continue
paiment methods
Not ready to support today?
Remind me later.

Read more